Monday, July 18, 2011

CHEAPEST WHISKY


One of the by-products of putting together a database of travel prices in well over 100 cities around the world is that you are going to come across some rather remarkable data. Previous examples we covered were the world’s cheapest beer, which is in Vietnam, and the world’s cheapest hostel, which is in Cambodia.
Well, the trend of amazingly cheap things in mainland Southeast Asia continues here, with what is certainly the world’s cheapest liquor, in Laos. For a long time the cheapest vodkas in Russia might have been contenders in this category, but recent rules regarding minimum prices there (at least for the legal stuff) have made those at least five times more expensive than what you can still get in Laos today.

Lao-lao – Laos rice whiskey

In Vientiane you can find this stuff in small shops all over the tourist district for under US$1 for a full-size bottle, with an alcohol percentage of 40 or 45. In a retail setting it’s usually clear, but there are other varieties that have an amber color to them.
Cheapest price spotted: .7-liter/45% alcohol for 6000 Lao kip = US$0.74
That’s right, for just under 75 US cents you can be the proud owner of your own bottle of locally produced rice whiskey, usually known as lao-lao. It’s a simply made whiskey that is distilled from rice, and it’s available all over Laos. If you watch various travel shows you might have seen the hosts sampling lao-lao right next to the M*A*S*H-style still that produced it in the jungle, but it’s also available in normal retail outlets, obviously produced in large quantities.
And the taste and so forth?
Many people see the price and automatically assume it tastes like turpentine and/or will give you a massive hangover, so they won’t even try the stuff. Those people are missing out, in my opinion. The lao-lao that I tried in many different places in the country is actually quite good, and I (surprisingly, perhaps) never experienced any sort of hangover beyond what would be normal with any similar spirit costing 25 times more.
The taste is actually quite mild, and reminds me a little of vanilla, although it’s also a very neutral taste so it mixes well with any of the fresh fruit juices that are also cheaply available all over Laos. I’d take the lao-lao instead of a US$10 bottle of grocery-store vodka in the US any day. Not everyone is going to like the stuff, but it’s worth a try when you are in Laos, and it’s very easy on the budget if you do like it.

Finding lao-lao

As mentioned, you can find the stuff all over Laos, in nearly any road-side shop or market. Weirdly enough, I noticed that it was incredibly cheap in the capital city of Vientiane, but about three times more expensive in Luang Prabang. I asked a few locals why such a big difference, and none could properly explain it, especially since they say that the stuff is produced closer to Luang Prabang than Vientiane anyway. Most things are more expensive in Luang Prabang, but not by this much.
You can also find a free-flowing version of this rice whiskey in many tourist restaurants. A small glass will set you back under 50 cents, and what they say on the menu is a “bottle” is usually under US$2. The “bottle” at restaurants will actually be a Pepsi or other soft drink bottle filled with the stuff from some much larger container.
Since fresh fruit juices are usually US$1 or less at these same restaurants, you can easily mix your own cocktails as a group, or just try it straight like the locals tend to do.
I’ve also been told that the local villagers buy it in plastic bags themselves, which obviously saves on packaging and cleaning of bottles, and means an even lower price. I never saw rice whiskey available by the bag though, so I don’t know how much less it costs or how it might taste.

Visiting Whiskey Village near Luang Prabang

If you take a boat tour, or even a bus tour, to the (disappointing) Pak Ou Caves north of the city, you will definitely also stop at what they call Whiskey Village. When I went in late 2010, it consisted of one table filled with variations of lao-lao, which you do get to sample, and a few unrelated souvenir stands.
This lao-lao comes in a few different flavors, some of which are sweet, and is sold in small designer bottles. It’s much more expensive than the stuff you find in shops or restaurants, but probably better quality, and you do get to see the equipment they claim they make the stuff in as well.

Friday, July 15, 2011

TELUGU LANGUAGE

Telugu language

Telugu (తెలుగు telugu, IPA: [t̪elugu]) is a language primarily spoken in the state of Andhra Pradesh and the district of Yanam, India, where it is an official language. Also spoken in the neighbouring states of Chattisgarh, Karnataka, Maharashtra, Orissa and Tamil Nadu, it is the language with the third largest number of native speakers in India (74 million as of 2001) and thirteenth in the Ethnologue list of most-spoken languages worldwide.[1] It is one of the twenty-two scheduled languages of the Republic of India[2] and one of the four classical languages.[3][4] Written in the Brahmi script, Telugu is a south-central Dravidian language heavily influenced by Sanskrit[5] and Prakrit.[6] Also influenced by Urdu around Hyderabad region.Telugu is the only literary language outside the South-Dravidian Branch. Its literature goes back to 11th century A.D. Its ancient forms were attested through inscriptions dating back to 200 A.D.[7][8]
Though Telugu belongs to South-Central Dravidian group, it retains several features of Sanskrit that have been lost in north-Indian Sanskrit-based languages such as Hindi and Bengali, especially in terms of pronunciation of vowels and consonants. For instance, Telugu retains the original Sanskrit pronunciation of అం /əⁿ/, ఐ /əi/, and ఔ /əu/.[8]
It has been claimed by the linguists Chenchiah , Raja M. Bhujanga Rao Bahadur and Korada Subrahmanyam that Telugu is the Vikriti language, a language descended from Sanskrit.[9] However, most linguists classify as a South-Central Dravidian language, unrelated to Sanskrit.

Etymology

The etymology of Telugu is not known for certain. It is thought to have been derived from trilinga, as in Trilinga Desa, "the country of the three lingas". According to a Hindu legend, Shiva descended as linga on three mountains namely, Kaleswara, Srisaila and Bhimeswara, which marked the boundaries of the Telugu country.[10] Trilinga Desa is the land in between these three Shiva temples namely Kaleshwaram, Srisailam and Draksharamam. Trilinga Desa forms the traditional boundaries of the Telugu region. Telugu has also been known as "Tenungu", "Tenugu" and "Telungu," which were all popularized by Nannayya and Tikkana.
According to Marepalli Ramachandra Sastry, Telu means white and unga means plural in Gondi. So, telunga means people who are white in complexion.[11]

History

Ikshvakus

The Andhra Ikshvakus (Sanskrit इक्श्वाकू, Telugu ఇక్ష్వాకులు) were one of the earliest recorded ruling dynasties of Andhra Pradesh and are said to have been the first Kshatriya rulers in the Andhra region. They ruled the eastern Andhra country along the Krishna river during the later half of the 2nd century CE. .[12] Their capital was Vijayapuri (Nagarjunakonda).

Lexical traces and epigraphy

Andhra Empire or Satavahana Dynasty

The Sātavāhana Empire (Telugu: శాతవాహన సామ్రాజ్యము) or Andhra Empire, was a royal Indian dynasty based from Amaravati. The earliest traces of Telugu are found in late BCE inscriptions. Telugu is influenced by Prakrit and Sanskrit. Epigraphic evidence suggests that during the Andhra Satavahana dynasty, the rulers spoke Prakrit while the general population spoke an early form of Telugu.
Inscriptions containing Telugu words dated to the 3rd century BCE were discovered in Bhattiprolu in Kurnool district. The English translation of one inscription reads: "Gift of the slab by venerable Midikilayakha".[13] Telugu words appear in the Maharashtri Prakrit anthology of poems (the Gatha Saptashati) collected by the 1st century BCE Satavahana King Hāla.

 [575 AD to 1022 AD

The first inscription that is entirely in Telugu corresponds to the second phase of Telugu history. This inscription, dated 575 AD, was found in the Rayalaseema region and is attributed to the Renati Cholas, who broke with the prevailing custom of using Sanskrit and began writing royal proclamations in the local language. During the next fifty years, Telugu inscriptions appeared in Anantapuram and other neighboring regions.
Telugu was more influenced by Sanskrit and Prakrit during this period, which corresponded to the advent of Telugu literature. This literature was initially found in inscriptions and poetry in the courts of the rulers, and later in written works such as Nannayya's Mahabharatam (1022 AD).[14] During the time of Nannayya, the literary language diverged from the popular language. This was also a period of phonetic changes in the spoken language.

Middle Ages

The third phase is marked by further stylization and sophistication of the literary language. Ketana (13th century) in fact prohibited the use of spoken words in poetic works.[14] During this period the separation of Telugu script from the common Telugu-Kannada script took place.[15] Tikkana wrote his works in this script.

Vijayanagara Empire

Vijayanagara empire(Rayalaseema region) gained dominance from 1336 till the late 17th century, reaching its peak during the rule of Sri Krishnadevaraya in the 16th century, when Telugu literature experienced what is considered its golden age.[14] Pada kavita pitamaha, Annamacharya, contributed many Telugu songs to this great language.

Muslim rule

With the exception of Coastal Andhra region, the language in the Telangana and Rayalseema regions was influenced much as people started to split into a distinct dialect due to Muslim influence on them: Sultanate rule under the Tughlaq dynasty had been established earlier in the northern Deccan during the 14th century. In the latter half of the 17th century, Muslim rule extended further south, culminating in the establishment of the princely state of Hyderabad by the Asaf Jah dynasty in 1724. This heralded an era of Persian/Arabic influence on the Telugu language, especially among the people of Hyderabad. The effect is also felt in the prose of the early 19th century, as in the Kaifiyats.[14]

Colonial period

In the period of the late 19th and the early 20th centuries saw the influence of the English language and modern communication/printing press as an effect of the British rule, especially in the areas that were part of the Madras Presidency. Literature from this time had a mix of classical and modern traditions and included works by scholars like Kandukuri Veeresalingam, Gurazada Apparao and Panuganti Lakshminarasimha Rao.[14]
Since the 1930s, what was considered an elite literary form of the Telugu language, has now spread to the common people with the introduction of mass media like movies, television, radio and newspapers. This form of the language is also taught in schools and colleges as a standard.

Post-Independence

Telugu is one of the 22 official languages of India. The Andhra Pradesh Official Language Act, 1966, declares Telugu the official language of Andhra Pradesh. This enactment was implemented by GOMs No 420 in 2005.[16][17]
Telugu also has official language status in the Yanam District of the Union Territory of Puducherry.
Telugu, along with Kannada, was declared as one of the classical languages of India in the year 2008 after Sanskrit (in 2005) and Tamil (in 2004). The declaration year of classical language order is insignificant, as we have to keep in mind all these languages were ancient and born centuries ago.

Phonology

Telugu words generally end in vowels. Telugu was called the Italian of the East by Italian explorer Niccolò Da Conti. He coined the phrase in 15th century when he visited Vijayanagara empire during the reign of Vira Vijaya Bukka Raya in 1520s.
Like Turkish, Hungarian and Finnish, Telugu words also have vowels in inflectional suffixes harmonized with the vowels of the preceding syllable.
Telugu features a form of vowel harmony wherein the second vowel in disyllabic noun and adjective roots alters whether the first vowel is tense or lax.[18] If the second vowel is open (i.e. /aː/ or /a/), then the first vowel will be more open and centralized (e.g. [mɛːka] 'goat', as opposed to [meːku] 'nail').

Alphabets

Literary Telugu has complete set of letters which follows scientific system to express sounds. It is highly conducive for Phonetics.
It has more letters than any Indian language. Some of them are introduced to express fine shades of difference in sounds.
Onamaalu, or the Telugu alphabet consist of 60 symbols - 16 vowels, 3 vowel modifiers, and 41 consonants. Sanskrit and Telugu alphabets are similar and exhibit one-one correspondence. Telugu has complete set of letters which follows scientific system to express sounds.[19] It is highly conducive for Phonetics. It has more letters than any Indian language. Some of them are introduced to express fine shades of difference in sounds.[19]
Telugu has full-Zero or anusvāra( ం ), half-zero or arthanusvāra or Chandrabindu (ఁ) and Visarga to convey various shades of nasal sounds. la and La, ra and Ra are differentiated.[19]
Telugu has .CH and .JH which are not represented in Sanskrit, and S, SH, and KSH which are not found in Tamil.[19]
Telugu script can reproduce the full range of Sanskrit phonetics without losing any of the text's originality.[19] Telugu has made its letters expressive of all the sounds and hence it has to deal with significant borrowings from Sanskrit, Tamil and Hindustani.[19]

Number system

Telugu has its own numerical system, as shown below.

Grammar

Main article: Telugu Grammar
The rules of classical Telugu grammar are collectively known as Vyākaranam (వ్యాకరణం), .
The first treatise on Telugu grammar, the "Andhra Sabda Chintamani" was written in Sanskrit by Nannayya, considered the first Telugu poet and translator, in the 11th century A.D. This grammar followed the patterns which existed in grammatical treatises like Aṣṭādhyāyī and Vālmīkivyākaranam but unlike Pāṇini, Nannayya divided his work into five chapters, covering samjnā, sandhi, ajanta, halanta and kriya. Every telugu grammatical rule is derived from Pāṇinian concepts.
In 19th century, Chinnaya Suri wrote a simplified work on Telugu grammar called "Bāla Vyākaranam" by borrowing concepts and ideas from Nannayya's grammar.

Subject-Object-Verb

The primary word order of Telugu is SOV (Subject-Object-Verb)
This sentence can also be interpreted as 'Ramu will go to school' depending on the context. But it does not affect the SOV order.

Inflection

Unlike other dravidian languages, Telugu is an inflected language, Telugu nouns are inflected for number (singular, plural), gender (masculine, feminine, and neuter) and case (nominative, accusative, genitive, dative, vocative, instrumental, and locative).[20]

Gender

Telugu has three genders: masculine, feminine, and neuter.

Pronouns

Telugu pronouns include personal pronouns (The persons speaking, the persons spoken to, or the persons or things spoken about). Indefinite pronouns, relative pronouns (connect parts of sentences) and reciprocal or reflexive pronouns (in which the object of a verb is being acted on by verb's subject).
Telugu uses the same forms for singular feminine and neuter genders – the third person pronoun (అది /ad̪ɪ/) is used to refer to animals and objects.[21][22][clarification needed]

Vocabulary

Telugu incorporates a high percentage of Sanskrit words and a lower percentage of Dravidian words. It also contains, to a lesser extent, Arabic and Persian words such as "maidanamu" (maydan in Arabic), "kalamu" (qalam in Arabic) and "Bazaar" (originally Persian word). Today, Telugu is classified as a Dravidian language characterized by a significant presence of Sanskrit loan words.
The vocabulary of Telugu, especially in Telangana region, has a trove of Persian-Arabic borrowings, which have been modified to fit Telugu phonology. This was due to centuries of Muslim rule in these regions, such as the erstwhile kingdoms of Golkonda and Hyderabad. (e.g. కబురు, /kaburu/ for Urdu /xabar/, خبر or జవాబు, /dʒavaːbu/ for Urdu /dʒawɑːb/, جواب)
Modern Telugu vocabulary can be said to constitute a diglossia, because the formal, standardized version of the language, heavily influenced by Sanskrit, is taught in schools and used by the government and Hindu religious institutions. However, everyday Telugu varies depending upon region and social status.
It has been claimed by the linguist Chenchiah and Raja M. Bhujanga Rao Bahadur that Telugu is the Vikriti language, a language descended from Sanskrit.[9] However, most linguists classify as a Dravidian language, unrelated to Sanskrit.

Writing system

The name Telugu written in the Telugu script
Main article: Telugu script
The famous Muslim historian and scholar of 10th century, Al-Biruni referred to Telugu language and script as "Andhri".[23]
Telugu script is written from left to right and consists of sequences of simple and/or complex characters. The script is syllabic in nature – the basic units of writing are syllables. Since the number of possible syllables is very large, syllables are composed of more basic units such as vowels (“achchu” or “swaram”) and consonants (“hallu” or “vyanjanam”). Consonants in consonant clusters take shapes that are very different from the shapes they take elsewhere. Consonants are presumed to be pure consonants, that is, without any vowel sound in them. However, it is traditional to write and read consonants with an implied 'a' vowel sound. When consonants combine with other vowel signs, the vowel part is indicated orthographically using signs known as vowel “maatras”. The shapes of vowel “maatras” are also very different from the shapes of the corresponding vowels.
The overall pattern consists of sixty symbols, of which 16 are vowels, three vowel modifiers, and forty-one consonants. Spaces are used between words as word separators.
The sentence ends with either a single bar | (“purna viramam”) or a double bar || (“deergha viramam”). Traditionally, in handwriting, Telugu words were not separated by spaces. Modern punctuation (commas, semicolon, etc.) were introduced with the advent of print.[24]
There is a set of symbols for numerals, though Arabic numbers are typically used.
Telugu is assigned Unicode codepoints: 0C00-0C7F (3072–3199).[25]

Carnatic music

Main article: Carnatic music
Thanjavur was the heart of the Tamil Chola dynasty (from the 9th century to the 13th), but in the second quarter of the 16th century a Telugu Nayak viceroy (Raghunatha Nayaka) was appointed by the emperor of Vijayanagara, thus establishing a court whose language was Telugu. Telugu Nayaka rulers acted as the governors in the present day Tamil Nadu area with headquarters at Thanjavur (1530–1674 CE) and Madurai (1530–1781 CE). After the collapse of Vijayanagar, Thanjavur and Madurai Nayaks became independent and ruled for the next 150 years until they were replaced by Marathas. This was the period when several Telugu families migrated from Andhra and settled down in Thanjavur and Madurai in Tamilnadu. Most of the great composers of Carnatic music belonged to these families. Telugu, a language ending with vowels, giving it a mellifluous quality, was also considered suitable for musical expression. Of the trinity of Carnatic music composers, compositions of Tyagaraja and Syama Sastri compositions were largely in Telugu, while Tamil composer Muthuswami Dikshitar is noted for his Sanskrit texts. Tyagaraja is remembered both for his devotion and the bhava of his krithi, a song form consisting of pallavi, (the first section of a song) anupallavi (a rhyming section that follows the pallavi) and charanam (a sung stanza, which serves as a refrain for several passages in the composition). The texts of his krithis are almost all in Sanskrit and Telugu (the contemporary language of the court). This use of a living language, as opposed to ritual language of Sanskrit, is in keeping with the bhakti ideal of the immediacy of devotion. Sri Syama Sastri, the oldest of this trinity, was taught Telugu and Sanskrit by his father, who was a pujari (Hindu priest). Syama Sastri's texts were largely composed in Telugu, widening their popular appeal. Some of his most famous compositions include the nine krithis, Navaratnamaalikā, in praise of the goddess Meenakshi at Madurai, and his eighteen krithi in praise of Kamakshi. As well as composing krithi, he is credited with turning the svarajati, originally used for dance, into a purely musical form.

[edit] Literature

Main article: Telugu literature
Telugu literature is generally divided into six periods:
In the telugu literature Tikkana was given agraasana (top position) by many famous critics. In the earliest period there were only inscriptions from 575 AD onwards. Nannaya's (1022–1063) translation of the Sanskrit Mahabharata into Telugu is the piece of Telugu literature as yet discovered. After the demise of Nannaya, there was a kind of social and religious revolution in the Telugu country.[26]
Tikkana (13th century) and Yerrapragada (14th century) continued the translation of the Mahabharata started by Nannaya. Telugu poetry also flourished in this period, especially in the time of Srinatha.
During this period, some Telugu poets translated Sanskrit poems and dramas, while others attempted original narrative poems. The popular Telugu literary form called the Prabandha evolved during this period. Srinatha (1365–1441) was the foremost poet, who popularized this style of composition (a story in verse having a tight metrical scheme). Srinatha's Sringara Naishadham is particularly well-known.
The Ramayana poets may also be referred in this context. The earliest Ramayana in Telugu is generally known as the Ranganatha Ramayana, authored by the chief Gona Budda Reddy. The works of Pothana (1450–1510), Jakkana (second half of the 14th century) and Gaurana (first half of the 15th century) formed a canon of religious poetry during this period. Padakavitha Pithamaha, Annamayya, contributed many original Telugu Paatalu (Songs) to the language.
The 16th and 17th centuries CE is regarded as the "golden age" of Telugu literature. Krishnadevaraya's Amukthamalayadha, and Pedhdhana's Manucharithra are regarded as Mahaakaavyaas. Sri Krishnadeva Raya stated "Desa bhashalandu Telugu Lessa" meaning "Among the nation's languages, Telugu is the best". Telugu literature flourished in the south in the traditional "samsthanas" (centres) of Southern literature, such as Madurai and Tanjore. This age is often referred to as the Southern Period. There were also an increasing number of poets in this period among the ruling class, women and non-Brahmins who popularised indigenous (desi) meters.
With the conquest of the Deccan by the Mughals in 1687, Telugu literature entered a lull. Tyagaraja's compositions are some of the known works from this period. Then emerged a period of transition (1850–1910), followed by a long period of Renaissance. Europeans like C.P. Brown played an important role in the development of Telugu language and literature. In common with the rest of India, Telugu literature of this period was increasingly influenced by European literary forms like the novel, short story, prose and drama.
Paravastu Chinnayya Soori (1807–1861) is a well-known Telugu writer who dedicated his entire life to the progress and promotion of Telugu language and literature. Sri Chinnayasoori wrote the Bala Vyakaranam in a new style after doing extensive research on Andhra grammar. Other well-known writings by Chinnayasoori are Neethichandrika, Sootandhra Vyaakaranamu, Andhra Dhatumoola, and Neeti Sangrahamu.
Kandukuri Veeresalingam (1848–1919) is generally considered the father of modern Telugu literature.[27] His novel Rajasekhara Charitamu was inspired by the Vicar of Wakefield. His work marked the beginning of a dynamic of socially conscious Telugu literature and its transition to the modern period, which is also part of the wider literary renaissance that took place in Indian culture during this period. Other prominent literary figures from this period are Gurajada Appa Rao, Viswanatha Satyanarayana, Gurram Jashuva, Rayaprolu Subba Rao, Devulapalli Krishnasastri and Srirangam Srinivasa Rao, popularly known as Mahakavi Sri Sri. Sri Sri was instrumental in popularising free verse in spoken Telugu (vaaduka bhasha), as opposed to the pure form of written Telugu used by several poets in his time. Devulapalli Krishnasastri is often referred to as the Shelley of Telugu literature because of his pioneering works in Telugu Romantic poetry.
Viswanatha Satyanarayana won India's national literary honour, the Jnanpith Award for his magnum opus Ramayana Kalpavrikshamu.[28] C. Narayana Reddy also received the award for his contributions to Telugu literature.[29] Kanyasulkam, the first social play in Telugu by Gurajada Appa Rao, was followed by the progressive movement, the free verse movement and the Digambara style of Telugu verse. Other modern Telugu novelists include Unnava Lakshminarayana (Maalapalli), Bulusu Venkateswarulu (Bharatiya Tatva Sastram), Kodavatiganti Kutumba Rao and Buchi Babu.[14] Gunturu Seshendra Sarma, a well known Telugu poet, has been a recipient of the Sahitya Akademi Award. He is best known for his work, Na Desham, Na Prajalu (My country, My people), which was nominated for the Nobel Prize in Literature 2004. His works have been translated into many languages. He wrote under the pen name "Seshen".

Geographic distribution

Telugu is mainly spoken in the state of Andhra Pradesh and Yanam district of Puducherry as well as in the neighboring states of Tamil Nadu, Puducherry, Karnataka, Maharashtra, Orissa, Chhattisgarh, some parts of Jharkhand and the Kharagpur region of West Bengal in India. It is also spoken in the United States, where the Telugu diaspora numbers more than 800,000, with the highest concentration in Central New Jersey; as well as in Australia, New Zealand, Bahrain, Canada, Fiji, Malaysia, Singapore, Mauritius, Ireland, South Africa, the United Arab Emirates, United Kingdom and also most of the western European countries, where there is also a considerable Telugu diaspora. Telugu is the second most spoken language in the Indian subcontinent after Hindi. In Tamil Nadu, about 8% of the population speak Telugu, where it commonly known as Telungu

Dialects

Waddar,[30] Chenchu,[31] Savara,[32] and Manna-Dora[33] are all closely related to Telugu.[34] Dialects of Telugu are Berad, Dasari, Dommara, Golari, Kamathi, Komtao, Konda-Reddi, Salewari, Telangana, Warangal, Mahaboobnagar (Palamuru), Gadwal (Rayalaseema mix), Narayanapeta (Kannada and Marathi influence), Vijayawada, Vadaga, Srikakula, Visakhapatnam, Toorpu (East) Godavari, Paschima (West) Godavari, Kandula, Rayalaseema, Nellooru, Prakasam, Guntooru, Tirupati, Vadari and Yanadi (Yenadi).[35]
In Tamil Nadu the Telugu dialect is classified into Salem, Coimbatore, Vellore, Tiruvannamalai and Madras Telugu dialects. It is also spoken in pockets of Virudhunagar, Tuticorin, Madurai, Madras and Thanjavur districts. Along with the most standard forms of Indian languages like Kannada, Tamil, Hindi, Bangla, Gujarati, Oriya and Marathi, Standard Telugu is often called శుద్ధ తెలుగు(Shudda Telugu) or అచ్చ తెలుగు (accha telugu).

Pedda Bala Shiksha

Pedda Bala Shiksha is a complete, two volume Telugu encyclopedia written by Gajula Satya Narayana. It covers Telugu grammar, Panchatantra tales, and exercises and it is used to teach Telugu to children.

Thursday, July 14, 2011

PREVIOUS BOMBBLASTS IN MUMBAI

MUMBAI BLASTS PREVIOUS
In the past Mumbai has been hit by multiple blasts since the 1993 serial explosions, and the list of attacks grew longer on Wednesday. 13 bomb blasts across the city on March 12, 1993 The Blasts The first blast hit the Bombay
Stock Exchange building at 1.30pm, killing 84 people, injuring over 200. The next blast, at around 2.15 pm, took place at Narsi Natha Street killing five, injuring 16. The third blast, outside Shiv Sena Bhavan at 2.30 pm, killed four and injured 50 people.

Century Bazaar at Worli was the fifth target, where 113 died and 227 were injured, while next in line was Mahim Causeway where three died and six were injured. Zaveri Bazaar was hit next, with 17 dead and 57 injured.

The next blast took place at Sea Rock Hotel, Bandra where there were no casualties. The ninth blast rocked Plaza Cinema and 10 people died in while 37 got injured. The tenth blast was at Hotel Juhu Centaur, injuring three while the eleventh blast at 3.30pm was at Sahar Airport with no injuries or death reported.

The 12th blast was at Hotel Airport Centaur, in which two died and eight were injured. The last blast rocked the Air India Building.

The Accused

The CBI, in its chargesheet submitted to the special TADA court, stated the number of accused as 135. The chargesheet mentioned revenge for the Babri Masjid Demolition (6th December 1992) and Mumbai riots (1992-93) as the motive. Among the 135 accused, over 35 - including masterminds Dawood Ibrahim and Tiger Memon - are absconding.

Another 35 or so got bail in the 90s—the rest are still languishing in jail.

Some of the other accused:

Farukh Pawle: Responsible for the blasts at Stock Exchange, Shiv Sena Bhavan and Air India Building

Asgar Yusuf Mukadam and Shahnawaz Qureshi: Plaza Cinema blast

Abdul Turk: Allegedly responsible for Cen\tury Bazaar blast, which resulted in maximum loss of lives

Mohammed Gansar: Held responsible for the Zaveri Bazaar blast

Parvez Shaikh: Charged for two blasts at Katha Bazar and Sea Rock Hotel

Bashir Ahmed Ghani, Zakir Hussain Firoz Malik and Salim Shaikh: Held guilty for the blast at Mahim Fisherman's Colony

Imtiyaz Gawte: Guilty of planting a bomb at Dhanji Street, which did not go off and Mohammed Iqbal: Planted a bomb at Cross Roads mall, which did not go off.

Mushtaq Tarani: Allegedly planted a bomb at Hotel Juhu Centaur.

Sanjay Dutt: With the Central Bureau of Investigation (CBI) leaving Sanjay Dutt's acquittal unchallenged in the Supreme Court, Sanjay Dutt became free from the terror charges in connection with the 1993 serial blasts. Dutt was charged under the Arms Act for illegally possessing firearms.

The Terrorist and Disruptive Activities (Prevention) Act (TADA) court gave death sentence to 11 persons and life sentence to 22 others. Others were given sentences ranging from 10 to 13 years.

Twin bombings in August 2003

Twin car bombings on 25 August 2003 killed 54 and injured 244 people.

One of the explosions took place at the Gateway of India, a major tourist attraction. The other bomb went off in a jewellery market near the Mumba Devi temple at Zaveri Bazaar in central Mumbai.

Both bombs were planted in parked taxis and exploded during lunch hour.

No group initially claimed responsibility for the attack, but Kashmiri rebel group and Pakistan-based Lashkar-e-Taiba was blamed for it. On 31 August 2003, three suspects – Ashrat Ansari, Haneef Sayyed and his wife Fahmeeda were arrested.

All three were convicted and sentenced to death in 2009 by a special POTA court in Mumbai.

7 blasts on local trains on Western Railway

The Blasts

The blasts took place in seven trains on Western Railway in a span of 11 minutes in first class compartments. As many as 187 people were killed and over 800 were injured. The blasts occurred between 6.24pm and 6.35pm at Matunga, Mahim (central Mumbai), Bandra, Khar (north-west Mumbai), Borivli, Jogeshwari and Mira Road railway stations (in north Mumbai).

Pressure cookers with a 2.5 kg mixture of RDX and ammonium nitrate were placed on trains on the Western line of the train network. Pressure cookers were used to increase the afterburn in a thermobaric reaction, more powerful than conventional high explosives.

The 13 arrested accused are Faisal Shaikh, Ali Bashir Khan, Mohammad Ali, Majid Shafi, Sajid Ansari, Kamal Ansari, Ethesham Siddiqui, Zameer Shaikh, Sohail Shaikh, Muzammil Shaikh, Tanvir Ansari, Naveed Hussain and Abdul Shaikh.

Case progress

November 30, 2006: An 11,000-page chargesheet was filed

February 2008: Supreme Court stayed the trial after one of the 13 accused, Kamal Ansari, said the phrase ‘promoting insurgency’, in the definition of organized crime in (MCOCA), was unconstitutional.

April 2010: The apex court dismissed the petition, ordering the trial's resumption.

November 2010: A 60-year-old witness identified one of the key accused. He was said to be the first witness to identify an accused in the trial. The witness was a commuter who had boarded the 5.57 pm Virar local, which was ripped apart at Matunga. The witness, a man, is currently retired and has an independent brokerage firm. Over the years, the court declared four prosecution witnesses hostile.

October 2010: A doctor was declared a hostile. The prosecution said when the accused, Dr Tanvir Ahmed Ansari, was taken to Saboo Siddiqui Hospital the Anti-Terror Squad (ATS) had seized chemicals from him. The ATS said the doctor was present when they seized the chemicals. However, during deposition, the doctor denied her presence.

March, 2010: A witness, who is a relative of accused Mohammed Faisal Sheikh, was declared hostile. The witness told the court that he was detained by the ATS and was tortured and threatened before recording his statement. The prosecution said that he had earlier told the police that some of the accused were members of the banned Students’ Islamic Movement of India (SIMI) and that the accused had gone to Pakistan for terror training.

January, 2011: A witness retracted the statement recorded before a magistrate. The witness had told the magistrate that his residence in Mumbra was used by two of the accused to hatch the conspiracy, but in court, he said that the statement was obtained under duress.

Around 110 witnesses have deposed, including commuters who were on the ill-fated trains. According to the defence, 142 injured commuters gave statements to the police while in hospital. Four deputy commissioners of police have deposed, many of them who have recorded statements and confessions of the accused.

“111 witnesses have been examined in the case so far, of whom three turned hostile. There are about 15 witnesses remaining. The prosecution has submitted the affidavits of over 200 witnesses. At the present speed, the trial should conclude within four months,” a senior official said on July 10, 2011.

ATS said Pakistan intelligence agency ISI and the Kashmir-based Lashkar-e-Taiba had planned the blasts.